Nancy Hamon’s Turtle Creek accommodation was advised for entertaining. But it’s not alone about beheld ball and alluring parties. The agreeableness of her home lies in its claimed spaces and affectionate nooks.
Nancy Hamon’s cocktail parties are legendary. For these, she keeps a ample Sub-Zero freezer abounding with arctic martini and albino glasses and bottles of Ketel One. The mix of guests-artists, actors, socialites, and business people-is exhilarant abundant afterwards the drink. Someone usually sits bottomward at one of two admirable pianos in the all-inclusive active allowance and plays. Mrs. Hamon, a above ballerina in Hollywood, loves this, and the antic is that if you can comedy the piano and sing, you’ll get arrive to her abutting party. But her admired parties are those breadth bodies comedy both pianos at once. Boogie-woogie or Chopin, it’s no matter-she brand it all. The pianos accord not to her, but to friends, including appearance artist Victor Costa who confused to New York some years ago. Mrs. Hamon says, “I abiding achievement they never appear and get them.”
Most of her parties booty abode in the octagonal active allowance with its 34-foot ceilings, aerial windows, and about 360-degree appearance of the abundant Turtle Creek breadth below. She calls it the “tent room,” an apt description for a amplitude that’s draped in 150 yards of biscuit linen. The circus-tent aftereffect adds to the theatricality of her soirees, but alike in this big, affecting room, you feel cozy. This is because Mrs. Hamon, who knows a activity or two about decorating (she was additionally a above autogenous decorator in San Antonio), cautiously aggregate the English and French antiques that ample her accommodation into baby basement clusters. But abreast from entertaining, she hardly uses the accoutrement room. Her admired room-she’s quick to say-and the antecedent of her circadian activities is the kitchen. And, like aggregate abroad in Mrs. Hamon’s amazing life, this is no accustomed kitchen.
With few walls, the 62-foot-long kitchen is about all window space, affording angle on three sides. The centermost is breadth all of the affable takes abode (and the armpit of the above Sub-Zero), and at both ends she’s created absorbing areas for sitting and talking, working, or nibbling assortment afterwards a late-night alms gala. To say that it’s huge is an understatement, but it’s additionally paradoxically quaint. Of course, there’s a adventure abaft why that is. Mrs. Hamon’s antecedent abode on Shadywood Lane, a white columned activity on a hill, was additionally bizarre in a way. Corrective in brilliant yellows and sky dejection inside, it was balmy and happy-a acceptable abode to accession a family. Afterwards her husband, oil man and art beneficiary Jake Hamon, died, she confused aggregate out-lock, stock, and barrel-settling some pieces in her new accommodation and sending others to her home in San Francisco. Alike the walls were corrective the aforementioned colors as the Shadywood house. “That was home to me for 50 years,” says Mrs. Hamon. “I calm things I admired over a aeon of time, and I didn’t appetite to get rid of them.”
Broad, heart-of-pine floorboards from an old barn on her acreage (“They’re a admirable driftwood color,” she says) were installed in the accommodation kitchen. Back the boards ran out afore the kitchen did, one end of the attic was laid with slate. This breadth became command central, the ideal atom for her aged autograph board (she receives hundreds of invitations ceremony month). The old French Provenal appliance is additionally from the Shadywood house. It’s a analytical thing-a warm, country French kitchen axial this admirable accommodation abounding with less art-but it works.
Mrs. Hamon’s art accumulating has the aforementioned array of curious, accumulating appeal. That is if you accede a accumulating that includes a $1 actor Rouault, a somewhat bottom d Vlaminck, and an invaluable Magritte, hodgepodge. Call it what you will, but Mrs. Hamon, whose donations to museums in Dallas and San Francisco are legion, has accumulated an absorbing and admired aggregation of art at home. She and Jake started accession art calm in the 1950s back they were aboriginal married. And, of course, there are acceptable belief abaft some of them, including the Rouault, which Mrs. Hamon aboriginal saw in 1950 at a friend’s gallery. She was too abashed to acquaint her bedmate she’d bought “some crazy avant-garde art,” so she did it secretly, affairs about all of her shares in Pittsburgh Consolidated Coal for cash. “I had the shares afore we got married, and that was my money, in case I’d anytime absitively to leave him, so affairs it was a big deal,” she says, laughing. She eventually confessed, and he admired the painting. Mrs. Hamon’s admired allotment is the Magritte, an aerial painting of a woman amphibian in the clouds, which she bought as an ceremony allowance for her bedmate decades ago. While abundant of her accumulating bears the names of abundant artists, abundant of it additionally is by abstruse American artists whose assignment she aloof likes. A allotment by an abstruse New York painter hangs in a alley abutting to the Magritte and the Vlaminck.
Photographs of accompany and ancestors in Mrs. Hamon’s accommodation are everywhere-stacked 10 abysmal on the admirable pianos and accoutrement every apparent of the walls in the bedfellow bedroom. But what sets her photographs afar from castigation and abundance is who’s in them. Look carefully and you’ll see Mrs. Hamon with Frank Sinatra at a banquet activity or Jake assortment with LBJ. These pictures are not out for appearance or to impress; they’re artlessly her friends. Back asked what her admired photograph is, she says it’s one taken a continued time ago, breadth she’s continuing abutting to Jake, and she’s captivated her fox blanket about his close playfully. Nancy Hamon’s activity is one well-lived, and her abode reflects all of it.
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